There is a curious relationship between Maurice Elwin, the Rhythm Maniacs, and the odd, forgotten song “Jus’ Keepin’ On.” The Rhythm Maniacs are the only musicians I have identified who recorded it. What is more, they recorded it at three different sessions, each time giving Maurice Elwin more time to vocally express its bizarre, plodding themes of exhaustion and resignation.
“Pantomime Hits — Selection — Part 1” (Intro. “Jericho” / “You’re My Silver Lining of Love” / “Jus’ Keepin’ On”). Recorded in Chelsea, London on November 27, 1929 by Philip Lewis and His Orchestra (a.k.a. the Rhythm Maniacs) under the musical direction of Arthur Lally with vocalist Maurice Elwin. Decca F-1585.
Personnel: Arthur Lally-cl-as-bar dir. Sylvester Ahola-Dennis Ratcliffe-t / Ted Heath-tb / Danny Polo-cl-as / Johnny Helfer or Joe Crossman-cl-ts / Claude Ivy-p / Joe Brannelly-bj / Tiny Stock-bb / Max Bacon-d-vib / Maurice Elwin-v
The first recording was on November 27, 1929, where “Jus’ Keepin’ On” was the last element in the issued medley “Pantomime Hits — Selection, Part 1.” It is worth noting that Elwin sings the lyric conventionally, sticking to the melody. His voice is soft and he sounds slightly weary, but there is nothing resembling overacting going on.
On December 16, the Rhythm Maniacs would record two rejected takes of the whole song. It is worth noting that in take 1 Maurice Elwin sings a fairly straight version of the tune before launching into a declamation about halfway through the song that is intoned, not sung. The last third of the first take is a fairly uninspired instrumental treatment of the refrain.
“Jus’ Keepin’ On.” Composed by Alexander Phillips (a.k.a. Van Phillips). Recorded in Chelsea, London on January 16, 1930 by the Rhythm Maniacs under the musical direction of Arthur Lally with vocals by Maurice Elwin. Decca F-1586 mx. MB-765-3.
Personnel: Arthur Lally-cl-as-bar dir. Sylvester Ahola-Dennis Ratcliffe-t / Danny Polo-cl-as / Joe Jeannette-cl-ts / Claude Ivy-p / Joe Brannelly-bj / Tiny Stock-bb / Max Bacon-d-vib / Maurice Elwin-v
The issued third take (recorded on January 16, 1930) has Elwin very much in the foreground for almost the entire recording. If he was ever at risk of being a little histrionic, he is here in this remarkable recording (although perhaps we should reserve a place of honor for “I’m the Medicine Man for the Blues”). He sings, declaims, and sings again, dominating almost the entire booming, high-gain early Decca recording. I have the feeling that Arthur Lally must have come to the realization that the underlying composition was not really all that good, but that it would be incredibly funny to have a normally subtle vocalist bellow it out. By having Elwin ham it up a bit for comic effect, Lally (presumably) rescued what would otherwise be a rather wearying song about weariness.
I should add that, vis-à-vis declaiming lyrics in place of singing them, there is a reason we might lump Elwin’s performance in the Rhythm Maniacs’ “Jus’ Keepin’ On” together his two interpretations of “I’m the Medicine Man for the Blues.” It would appear that Elwin went through a phase of imitating Ted Lewis, who introduced the latter song, and who, being a poor singer, was prone simply to speak lyrics, often in an odd, sentimental way, with slight diversions and repetitions. I hear Maurice Elwin doing the same in many of his solo Zonophone and Decca recordings of this period. I look forward to eventually sharing some of them on this website.